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Home Ukraine in WW II Ukrainian Village after WW2: John Steinbeck description of 1947

Ukrainian Village after WW2: John Steinbeck description of 1947

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USSR. Collective farms. 1947. Ukraine. Shevchenko. August, 1947.

“[Village of] Shevchenko has never been one of the best farms because its land is not of the first quality, but before the war it was a fairly prosperous village, a village of three hundred and sixty-two houses, in other words, of three hundred and sixty-two families. It was a going concern. After the Germans passed over it, there were eight houses left, and even those had the roofs burned off them. The people were scattered and many of them killed, and the men were in the forest, fighting as partisans, and God knows how the children took care of themselves.

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But after the war, the people came back to their village. New houses were springing up, and since it was harvest time, the houses were built before and after work, and even at night, by the light of lanterns. Men and women worked together to build their little houses. The method was invariable: they built one room and they lived in it until they could build another room.

Since it is very cold in Ukraine in the winter, the houses are built like this: The walls are of squared logs, mortised at the corners. To these logs heavy laths are nailed, and then a thick plaster is applied inside and out to turn the cold away. There is a hall, which is a combination storeroom and entrance. From there one goes into the kitchen, a white plaster room, with a brick oven and hearth for the cooking. That fireplace and oven is raised about four feet above the floor, and in this the bread is baked, the flat brown cakes of Ukrainian bread, which are very good.

Next to this is the communal room, with its dining table and its decorations on the wall. This is the parlor, and it has the paper flowers, the holy pictures, and the photographs of the dead. And on the walls are the decorations of the soldiers who have come from this family.

The walls are white, and there are shutters on the windows to be closed against the winter cold. Opening off this room are one or two bedrooms, depending on the size of the family. And since these people lost everything, the bedding is whatever they can get now. Pieces of rug, and sheepskin, anything to keep them warm. The Ukrainians are a clean people, and their houses are immaculate.

Part of our misinformation had been that on the collective farms the people lived in barracks. This was not true. Each family had its house and a garden and an orchard where there were flowers, and where there were large vegetable patches and beehives. And most of these gardens were about an acre in extent.

Since the Germans had destroyed all the fruit trees, new trees were being planted, apple, and pear, and cherry. We went first to the new town council house, where we were greeted by the manager, who had lost an arm in the fighting, and his bookkeeper, who had just been demobilized from the Army and was still in his uniform, and three elderly men of the farm council. We told them that we knew how busy they were during the harvest, but that we wanted to see part of the harvest ourselves. They told us how it had been before, and how it was now. When the Germans came, this farm had had seven hundred horned cattle, and now there were only two hundred animals of all kinds. They had had two large gasoline engines, two trucks, three tractors, and two threshing machines. And now they had one small gasoline engine and one small threshing machine. They had no local tractor. In the plowing they drew one from the tractor station near by. They had had forty horses, and now they had four. The town had lost fifty men of fighting age and fifty others, of all ages, and there were great numbers of crippled and maimed. Some of the children were legless and some had lost eyes. But the town, which needed labor so dreadfully, tried to give every man work to do that he could do. All the cripples who could work at all were put to work, and it gave them a sense of importance and a place in the life of the farm, so that there were few neurotics among the hurt people. They were not sad people. They were full of laughter, and jokes, and songs.

The farm raised some wheat, and some millet, and some corn. But it was a light, sandy land, and its main crops were cucumbers and potatoes, tomatoes and honey and sunflowers. A great deal of sunflower-seed oil is used.

We went first to the fields where the women and the children were harvesting cucumbers. They were divided into battalions and were in competition with one another, each group trying to pick the most cucumbers. The lines of women were stretched across the field, laughing and singing and shouting at one another. They were dressed in long skirts and blouses and headcloths, and no one wore shoes, for shoes are still too precious to use in the fields. The children were dressed only in trousers, and their little bodies were turning brown under the summer sun. Along the edges of the field there were piles of picked cucumbers waiting for the trucks. A little boy named Grischa, who wore an ornamental hat made of marsh grass, ran up to his mother and cried with wonder, “But these Americans are people just like us!”

Capa’s cameras caused a sensation. The women shouted at him, and then fixed their kerchiefs, and settled their blouses, the way women do all over the world before they are photographed. There was one woman, with an engaging face and a great laugh, whom Capa picked out for a portrait. She was the village wit. She said, “I am not only a great worker, I am twice widowed, and many men are afraid of me now.” And she shook a cucumber in the lens of Capa’s camera. And Capa said, “Perhaps you’d like to marry me now?”

She rolled back her head and howled with laughter. “Now you, look!” she said. “If God had consulted the cucumber before he made man, there would be less unhappy women in the world.” The whole field roared with laughter at Capa. They were lively, friendly people, and they made us taste the cucumbers and the tomatoes for quality.”

John Steinbeck depicts Kyiv after WW2 >

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